From The Studio

Greetings to all. Here is eNewsletter 12. Let me wish everyone a happy holiday and a prosperous new year.

Stock Photos

(click on photos to enlarge them)

I have been shooting lots of film, these past several months, for my stock photo collection. The direction I am taking with this work is rather new for me. I thought it might be fun showing some of these images and explaining what it is I am trying to accomplish.

I actually am going in two different directions. Firstly, I am hiring people, usually friends or acquaintances, to pose for me. My intention is to stay away from the professional model look. The photos that I produce will be, hopefully, humorous, offbeat, and also marketable. Secondly, I am wandering highways and byways, with an eye towards finding the unusual. Everything is a possible subject. Then it is up to me to compose what I see into something worth shooting and, again, marketable.

The latter is what I have included here. I feel that these images are just the start for me, though I think I am on the right track. This kind of photography is difficult but exciting. I look forward to showing more of my stock photos in future eNewsletters.

Some News

FILMLESS ASSIGNMENTS My film cameras are beginning to gather some dust because my last few assignments have been shot digitally. And am I loving it! A recent shoot in my area was from a client in the Midwest. He was unable to be on site, so I would e-mail him samples of what I was shooting. We were able to collaborate as if he were standing next to me. The best part, however, was that what I saw on my monitor was EXACTLY what was being saved on the camera's memory card. WOW!!!.

FILMLESS STOCK The article on the right mentions that I am shooting more stock these days. A month ago, I made the decision that all new work now would be done using my digital camera. It seems to be the way the industry is going and, after much research, it is the way that makes the most sense to me. I guess the future will tell whether or not I made the right choice.

How I Made This Photo

When we arrived at the plant that manufactures these boats, which was the shoot location, the temperature was soaring towards 90 degrees. My first thought was to find somewhere inside their air conditioned factory to do the shooting. Unfortunately, there was nothing there that appealed to me, so I headed back outside. After exploring their property a bit, I came across a bunch of boat storage racks and immediately saw some interesting possibilities.

We could not move anything around, so I had to locate a rack of boats that would work as is for the photo. Once I found that, I began unpacking my strobes. My assistant started filling a set of specially designed water bags that we use on exterior setups to keep the strobes from blowing over. I directed the subject, who luckily was young and agile, to climb up the rack and pose near the best looking boats.

We began the shoot using only one strobe, cranked up several feet to meet his eye level. After several shots, I realized I was not happy with the results. I wanted a more controlled illumination on the boats. So we grabbed three more strobes, added a grid spot to each one, filled up some more water bags, and aimed a strobe at each boat. The grid spots tightened the light beams so that each boat would have a bright area that gradually faded to dark.

The neat thing about this setup was the composition possibilities. I could twist and tilt and angle my camera wherever I wanted as I shot. There really were no restrictions. Back at my office, I put the selected image through Photoshop to enhance the sky and boat colors a little, tone down his shirt, and remove some razor burn from his face.

I recently purchased a 28 to 105mm zoom lens for my digital camera. Unbeknownst to me, the lens had a built-in macro feature too. For those not familiar with the term, a macro lets you shoot from a very close distance. That means you can photograph something very small and have that object fill the viewfinder. It's great for shooting details of things such as a flower, postage stamp, someone's eyeball, etc. However, because the lens is so close to the subject. there are a couple of things you need to watch out for. First, focus extremely carefully. Second, do not let the camera block the light needed to illuminate the subject. Other than that, a macro is a great tool and should be considered if buying a zoom lens.

A JOKE
A young man from the city went to visit his farmer uncle. For the first few days, the uncle showed him the usual things - chickens, cows, crops, etc. After three days, however, it was obvious that the nephew was getting bored, and the uncle was running out of things with which to amuse him.
Finally, the uncle had an idea. "Why don't you grab a gun, take the dogs, and go shooting?" The nephew thought that was a splendid idea. So off he ran with his uncle's gun and the barking dogs in trail. After a few hours, the nephew returned. "How did you enjoy that?" asked the uncle. "It was great!" exclaimed the nephew. "Got any more dogs?"

Feedback

We would love your comments, both good and bad. Also, is there other content you would like to see in these eNewsletters? If you have a moment, please phone or send us an e-mail. Thank-you.

Peter Glass Photography
Hartford, Connecticut
860-528-8559
www.peterglass.com
peter@peterglass.com



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