Hello
out there and welcome to
eNewsletter 14 from Connecticut, USA. I hope
everyone is healthy and enjoying
this beautiful season.
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Stock
Photos
(click
on photos to enlarge them)
I'm
shooting lots of stock photos these days, using
my digital cameras exclusively. Many of the images are
made with the help of nonprofessional models; either
friends, acquaintances, or people answering ads placed
in local
newspapers.
Releases are obtained from everyone. We typically shoot
for three hours, varying locations and poses. I'm getting
a wonderful
mix
of subjects and fattening up my stock collection with
some
hopefully great
photos.
The above photographs were all shot during the past
few weeks. The top two were done in the subjects' own
kitchens. Each image used available light, but in very
different ways. The young girl in the left bottom photo
was sitting
in a park, reacting to some very animated geese.
And
the young
woman in the right bottom photo was responding
to my suggestion to "act tough".
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Some
News
I
AM NOW A COLUMNIST - Earlier this month was
the debut of my new column, PHOTO TALK, in the magazine Lifestyles
In Connecticut. The column is geared toward amateur
photographers,
and the topics will vary from issue to issue. With
a circulation of 20,000, many times more than the
readership of this eNewsletter, I am a tad nervous
about how it
will be received. I'm keeping my fingers crossed.
NORTHAMPTON, MASSACHUSETTS
- I live very close to Springfield,
MA, which is very
close to Northampton, MA. The latter has been
my getaway town for many
years now (a friend introduced me to the
area). It
is a multiple college town with lots of offbeat
shops, movie theaters, cafes,
fantastic ethnic restaurants, and bicycle/skating/walking
trails. I try to get
up there a few times a month, especially in
the warmer weather. My usual routine is to
skate a trail, eat dinner, read and drink
tea at a cafe, then see a film. By the end
of the evening,
I almost always feel wonderfully rejuvenated!
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How
I Made This Photo
Location,
location, location is everything, be it real estate
or portrait photography. This fact rings most true
for me when I am having difficulty finding a good location
to pose a subject, as was the situation on this shoot.
It seemed that every area we checked out was a dead
end. We scoured the whole building and found nothing...
until we walked back to the main lobby, an
area I rarely use as a location. And there it was;
a support post and a sculptured map.
It was easy to imagine posing the subject between the post and the map.
I loved the geometrical contrast of the cylindrical and rectangular shapes.
Further, the subject fit perfectly between these two objects. Lastly,
concentrating on this specific area meant not having any more of the
busy lobby visible.
Proper lighting would be critical to the photo's success. I wanted the
illumination to be direct and strong on the subject, and to go gradually
from light to dark on the post. This was done using only one strobe.
For the map, I wanted a somewhat more harsh and darker spotlight look.
This too was done with a single strobe. Reflections in the glasses were
removed using Photoshop.
Figuring out hand and head positioning was a bit tougher. We experimented
with all sorts of poses. Some looked great, some looked bizarre.
The pose in the above shot, I think, works well for her.
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Camera
accessories abound. Here are a few I keep in my photo
bag that you too may want to consider. The first
is a clamp with a bolt that screws into the bottom
of a camera. You then secure the clamp to a table
or the like. What you wind up with is a very stable
camera support. The second item is one of those very
small cans of compressed air. The blowers
sold in camera shops are good too, but more
power
often
is
needed to dislodge debris from the lens or the camera
itself. The final thing is the camera's instructional
manual. Digital and film cameras have an amazingly
complex
assortment of dials and settings. Even for the professional
shooter, operational info is great to have nearby.
A
STORY
A young businessman had just started his own firm in a newly rented office.
Sitting there, he saw a man walking into the waiting area. Wishing to
appear the big shot, the businessman picked up the phone and pretended
he had a big deal working. He threw around huge figures and made giant
commitments. Finally he hung up and asked the visitor, "Can I help
you?" The man replied, "Yeah, I've come to hook up your telephone."
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Feedback
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would love your comments, both good and bad. Also,
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eNewsletters? If you have a moment, please phone
or send us an e-mail.
Thank-you.
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Peter Glass Photography. All Rights Reserved. |
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